American Film Movement

The American Independent Movement sprang from the small “art houses” of a few major American cities and became a presence in American public culture. The key filmmakers of the moment saw themselves as challengers to the hegemony of Hollywood, eschewing entertainment—fantasy, pleasure, happy endings—and offering instead harsh and “edgy” stories about life in contemporary society.

Slacker

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher (Richard Linklater) who passionately expounds on his dream theories to a seemingly comatose cabbie (Rudy Basquez), a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

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