The Three Colours Blue

The Truly Moving

There’s something cathartic about watching a monumentally moving emotional or poignant film. If you notice, after watching them and reacting to them, you feel relieved (in a good way), it is as if you your feelings that have pent up have got their release. This was one of the reasons why Aristotle defined tragedy in the following manner. “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” In a world and at a time where so much tragedy surrounds us and we’re constantly told to be strong and hold it in, there’s often nothing better than settling in front of an old fashioned weepie and just letting it all go…

The Three Colours Blue

Julie (Juliette Binoche) is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier (Benoît Régent), an old friend who harbors a secret love for her, and who could draw her back to reality.

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United 93

The Truly Moving

There’s something cathartic about watching a monumentally moving emotional or poignant film. If you notice, after watching them and reacting to them, you feel relieved (in a good way), it is as if you your feelings that have pent up have got their release. This was one of the reasons why Aristotle defined tragedy in the following manner. “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” In a world and at a time where so much tragedy surrounds us and we’re constantly told to be strong and hold it in, there’s often nothing better than settling in front of an old fashioned weepie and just letting it all go…

United 93

Honest, unflinching and moving, United 93 tells the story of the passengers and crew who prevented the terrorists from carrying out their plans for the fourth hijacked plane on 9/11.

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What’s Eating Gilbert Grape?

The Truly Moving

There’s something cathartic about watching a monumentally moving emotional or poignant film. If you notice, after watching them and reacting to them, you feel relieved (in a good way), it is as if you your feelings that have pent up have got their release. This was one of the reasons why Aristotle defined tragedy in the following manner. “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” In a world and at a time where so much tragedy surrounds us and we’re constantly told to be strong and hold it in, there’s often nothing better than settling in front of an old fashioned weepie and just letting it all go…

What’s Eating Gilbert Grape?

Gilbert, a caring young man, is caught between his love for Becky and his responsibilities towards his autistic brother Arnie and mother Bonnie.

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Chariots of Fire

The Truly Moving

There’s something cathartic about watching a monumentally moving emotional or poignant film. If you notice, after watching them and reacting to them, you feel relieved (in a good way), it is as if you your feelings that have pent up have got their release. This was one of the reasons why Aristotle defined tragedy in the following manner. “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” In a world and at a time where so much tragedy surrounds us and we’re constantly told to be strong and hold it in, there’s often nothing better than settling in front of an old fashioned weepie and just letting it all go…

Chariots of Fire

Two British track athletes, one a determined Jew and the other a devout Christian, compete in the 1924 Olympics.

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Dear Zachary

The Truly Moving

There’s something cathartic about watching a monumentally moving emotional or poignant film. If you notice, after watching them and reacting to them, you feel relieved (in a good way), it is as if you your feelings that have pent up have got their release. This was one of the reasons why Aristotle defined tragedy in the following manner. “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” In a world and at a time where so much tragedy surrounds us and we’re constantly told to be strong and hold it in, there’s often nothing better than settling in front of an old fashioned weepie and just letting it all go…

Dear Zachary

In 2001, 28-year-old Dr. Andrew Bagby is found dead in a park in Pennsylvania. He had been shot by his ex-girlfriend, who then fled to Canada, where she was able to walk free on bail, pregnant with Andrew's child. Andrew's enraged parents campaign to gain custody of the child and convict their son's killer. Filmmaker Kurt Kuenne pairs this story with home movies and interviews with those who knew Andrew, hoping to give his best friend's son an opportunity to discover who his dad was.

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