Documentaries

It would be accurate to say that documentaries are among the most valuable, neglected cultural forms of our time. They aren't all good, to be sure, but the best are unusual, persuasive, seductive. And their success has something to do with the way they are taken for granted, casually watched. Few old things have flourished in the cultural chaos of this century, but docs have steadily consolidated their hold on a small portion of the contemporary consciousness. Film stars want to make or sponsor them. Sometimes, if you squint hard enough, they really do seem like the new rock'n'roll. I believe this is not only a direct result of the candid nature of documentaries and their ability to speak more profoundly than feature films about the times in which we live, the corruption and injustice that pervades society and the small, intimidate details and wondrous complexity of some of our more unique fellow humans. But also because, at a time where some of the most high budgeted films, crammed full of special effects and overpaid stars, leave us cold due to dire lack of compelling story, it is the documentary that grips us and ultimately provides us with compelling viewing and resounding meaning. Proof positive that audiences still hunger for story in its purest form.

Capturing the Friedmans

While preparing a documentary about children's birthday party entertainers, filmmaker Andrew Jarecki learned that one of his subjects, professional clown David Friedman, was the son and brother of two men who had been convicted of child sexual abuse in a high-profile 1980s criminal trial. Using home videos made by the Friedman family before and during the trial, as well as new interviews, Jarecki explores the conflicting stories of the accused, the alleged victims and the investigators.

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